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Found inside – Page 105It is necessary to be very careful when speaking of Isabella's interest in ... See E. Verheyen , The Paintings in the Studiolo of Isabella d'Este at ... Found inside – Page 77The marchese may appear in Isabella's studiolo as Mars in Mantegna's Parnassus and, in another example of shared iconography, he commissioned a painting ... Found insideThis book presents a new perspective on the Italian Renaissance court by examining the circulation, collection and exchange of art objects. For sixteenth-century Italian masters, the creation of art was a contest. They knew each other's work and patrons, were collegues and rivals. Survey of this artistic rivalry, the emotional and professional circumstances of their creations. Found inside – Page 243It concerns the clay model of the questioned the accuracy of all this until M. celebrated “ Studiolo " of Isabella d'Este , exhibited Patricolo came to the front , and , armed with in the South Kensington Museum . In 1887 , the irrefutable ... Francesco Colonna's weird, erotic, allegorical antiquarian tale, "Hypnerotomachia Poliphili", together with all of its 174 original woodcut illustrations, has been called the first "stream of consciousness" novel and was one of the most ... Works in the Museum's collection that embody the Renaissance interest in classical learning, fame, and beautiful objects are illustrated and discussed in this resource and will help educators introduce the richness and diversity of ... This book is an account of the Renaissance Italian study and its contents. Found inside – Page 248The Paintings in the Studiolo of Isabella d'Este at Mantua. Monographs on Archaeology and the Fine Arts Sponsored by The Archaeological Institute of America ... The book first explores the works and concerns of three pioneering European abstract painters - Mondrian, Malevich, Kandinsky - and then those of their American successors - Pollock, Newman, Rothko, and Still. Exploring the fruitful dynamic between Mantegna's inventive compositional approach and interest in classical antiquity and Bellini's passion for landscape painting, this fascinating volume examines how these two artists, who were also ... Found inside – Page 197I. L. Mumford, "Some Decorative Aspects of the Imprese of Isabella d'Este ... The Paintings in the Studiolo of Isabella d'E,te at Mantua (New York, ... Found inside – Page 185Under Isabella d'Este Mantua became one of the cultural centres of Italy, ... Her camerino or studiolo, a place of study inspired by the return to antiquity ... Isabella d'Este (1474-1539), daughter of the Este dukes of Ferrara and wife of Marchese Francesco II Gonzaga of Mantua, co-regent of the Gonzaga state, art collector, musician, diplomat, dynastic mother, traveler, reader, gardener, fashion ... Found insideIn this volume, 13 scholars explicitly examine some of the complex ways in which a variety of values might be associated with Italian Renaissance material culture. "Although most of Mantua's artistic treasures were sold or claimed as war spoils upon the decline of the Gonzaga family, the rich cultural legacy of this fascinating city lives on in the city's many surviving frescoes and in the collections ... Found inside – Page 324Alberti's prescriptions for studiolo architecture, furniture and ... Cabinet of Eros: Renaissance Mythological Painting and the Studiolo of Isabella d'Este ... Found insidePart of the seminal Cambridge History of Music series, this volume departs from standard histories of early modern Western music in two important ways. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. Found inside – Page 54The works of art associated with Isabella d'Este have been the subject of ... The Louvre catalogue (Le Studiolo d'Isabella d'Este) was edited by S. Beguin. Found insideThese two narratives are complemented in this book by Marco Boschini’s poetic homage to the artist and by correspondence between the renowned Renaissance patron of the arts Isabella d'Este, Bellini, and others regarding the commission of ... Published in conjunction with an exhibition held at the Bode-Museum, Berlin, Aug. 25-Nov. 20, 2011, and at the Metropolitan Museum of Art, New York, Dec. 21, 2011-Mar. 18, 2012. Found insidethe Minerva painted for Isabella d'Este's studiolo. There the the hybrid beings mingle with humans, but stand for the "subhuman” vices of Girolamo's satyrs ... Found insideBrown and Lorenzoni, Isabella d'Este and Lorenzo da Pavia, pp. ... the Studiolo of Isabella d'Este (New Haven and London: Yale University Press, 2004), p. Found insideThis book is essential reading for scholars and students of Early Modern History and Literature, Renaissance Studies, and Italian Studies. "Focuses primarliy on the social and historical context in which art was made and used"--Bibliographic essay (p. 326). This book reveals another fascinating story: Vespasiano Gonzaga’s link to Shakespeare’s Hamlet. Like the Prince of Denmark, he reflects the emergence of our modern consciousness. Found insideDrawing on the densely layered imagery in the studioli and text sources readily available to the Urbino court, Robert Kirkbride examines the position of the studioli in the Western tradition of the memory arts, considering how architecture ... A gloriously illustrated examination of the origins and development of the nude as an artistic subject in Renaissance Europe Reflecting an era when Europe looked to both the classical past and a global future, this volume explores the ... Dosso's rich color schemes are akin to those of his fellow North Italian Titian; he learned something about innovative composition from Raphael and about the force of the body from Michelangelo. Found inside – Page 51... could be found in the studiolo of Isabella d'Este , where paintings by Perugino ... 91 This set an example : Isabella's son Alfonso II Gonzaga ordered ... This illuminating story raises interesting and important questions about relationships between artists and patrons, and about women as art patrons at the beginning of the 16th century. Found inside74 Egon Verheyen, The Paintings in the Studiolo of Isabella d'Este at Mantua (New York: New York University Press for the College Art Association of America ... Found insideThe first comprehensive guide to women's promotion and use of textual culture, in manuscript and print, in Renaissance Italy. From her astrological chart and emblems to her portraits and the canvases created specifically for her Studiolo, this book contains several clear and original perspectives that highlight and better define the profile of Isabella. Found insideUncovering Music of Early European Women (1250 – 1750) brings together nine chapters that investigate aspects of female music-making and musical experience in the medieval and early modern periods. The most famous studiolo of all was that of Isabella d'Este, marchioness of Mantua. This work explores the function of the mythological image within a Renaissance culture of collectors. Found insideElements from Isabella d'Este's studiolo in the Palazzo Ducale, Mantua, are preserved in the Corte Vecchia. Federigo da Montefeltro's studiolo survives in ... In this fascinating study, Alison Cole explores the distinctive uses of art at the five great secular courts of Naples, Urbino, Ferrara, Mantua, and Milan. 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